Output list
Journal article
Silent Praise: Ephrem the Syrian’s Sentence Acrostic as Artistic Apophasis
Published 11/10/2025
Modern theology
One of the earliest Christian treatments of negative theology appears in the mid‐fourth‐century poem Hymn on the Church 9 by St. Ephrem of Nisibis. This Syriac dialogue poem, in which the poet’s personified Reason and Love dispute the proper form of response to the transcendent LORD, charts a distinctive path across what was and continues to be a central, but nevertheless highly disputed, theological and philosophical concern: the sayability and unsayability of God. The poem has typically been interpreted as showing Ephrem to hold to a contrastive understanding of speech and silence. I argue that attention to two structural features of the poem, its dialogical form and its previously unrecognized sentence acrostic, shows that Ephrem instead articulates apophasis and kataphasis as always mutually implicated. Words, for Ephrem, are capable of saying more than what they state out loud. The poem is important, then, as an early and paradigmatic instance of a form of negative theology that some constructive Christian theologians have recently emphasized, but less often displayed in practice. Furthermore, Ephrem’s poem invites a reconsideration of the relationship of the theologian and the poet, as the creative capacities of poetic theology come more clearly into focus.
Journal article
Published 07/2019
International journal of Christianity & education, 23, 2, 204 - 230
Theologian Paul J. Griffiths has argued that thinking about Christian learning “must begin from thinking about the liturgy.” This comparison between learning and liturgy invites reflection upon the nature and ends of Christian higher education, particularly how pedagogy might be informed by liturgy. This interdisciplinary symposium considers this very connection, proposing that the space of the classroom, the activities of teaching and learning, and the aims of Christian higher education are contiguous with the liturgical life of the Church. Four short reflections from the fields of composition, theology, ethics, and history offer four approaches to the relationship between liturgy and learning, demonstrating that the “liturgical” habits of these various disciplines cooperate in moral formation.